“Give a Shot”March 2025



“Give a Shot. Take a Shot. Long Shot. Call the shots. In the Crosshairs. Pull the trigger. Fire Away. Bang for Your Buck. Gun It…”



    These familiar slang phrases introduce a deliberate exploration of America’s unyielding gun culture and its deep-seated ties to industrial design. By repurposing standard school facilities and materials from RISD store—using high-precision lathes and everyday components—the work exposes the unsettling ease with which a near-functional firearm can be fabricated within an academic setting. When the very tools that drive innovation also build instruments of violence, a dissonance emerges between the narratives of progress and the realities of power.




Engaging in this act within the controlled environment of a school, the work challenges the institutional boundaries that have traditionally distanced design education from the ethics of arms manufacturing. Every cut, weld, and assembly not only demonstrates mastery over industrial processes but also serves as a symbolic act of defiance—highlighting how the normalization of arms production underpins the very fabric of American industrial history. This subversive utilization of academic resources confronts the sanitized discourse that often excludes a frank discussion of militarism from design curricula, urging a reflection on the paradox of a society that both venerates and vilifies its legacy of violence.






Drawing further inspiration from the 2019 events at the Chinese University of Hong Kong—where students transformed their campus into an impromptu arsenal by assembling incendiary devices and other makeshift weaponry—the work becomes a critical mirror. It questions how, in a nation whose industrial roots are inseparable from arms production, the avoidance of discussing these origins amounts to an aesthetic and intellectual evasion similar to the romanticization of colonial power. For audiences unaccustomed to the omnipresent logic of gun culture, this engagement with industrial design reveals a extreme, often uncomfortable, truth: that behind every “trigger happy” moment lies a legacy of innovation, violence, and complicity.

Through this multifaceted inquiry, the act of creating a near-operational firearm within a school setting transcends mere fabrication. It becomes a call to confront and reexamine the cultural and industrial narratives that continue to shape—and sometimes obscure—the true foundations of American society.
©Yichen Li 2020-2025
Providence | Boston
Rhode Island School of Design